reels from @trynotei, one place

hear the reels again, with their answers

notei is a music notation editor in your browser. you write the notes, and its assistant helps when you’re stuck. free to start.

tap a reel to play it here. sound on.

trumpet valves add up short

each valve adds a loop of pipe sized to work on its own, so valves pressed together come up short and play sharp. all three run about half a semitone high until the third-valve slide makes up the missing length.

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a rhythm, 256 times faster

three rhythms of 4, 5 and 6 beats a bar, sped up 256 times, stop sounding like clicks and turn into three pitches. 4:5:6 is a C major chord.

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twelve fifths never come home

twelve pure fifths overshoot seven octaves by 23.46 cents, the pythagorean comma. narrow every fifth by about 2 cents and the circle closes, which is what equal temperament does.

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between the reels

what notei does

the reels are the fun part. notei is where you write your own.

  1. write place notes by hand, right in the browser.
  2. start from a file bring in MIDI, MusicXML or MuseScore files.
  3. ask select a passage and ask in words: a voicing, the harmony, an idea when you’re stuck.
  4. hear it play it back with real instrument sounds.
  5. export MusicXML and MIDI, plus PDF and WAV.
start writing, free

a note, slowed to clicks

a steady note can be a train of clicks. at 256 and 128 clicks a second you hear one steady note, at 32 it starts to rattle, and under 20 a second you hear separate clicks.

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add one note and this chord sounds jazzy

stack one more every-other note on top of a triad and it becomes a seventh chord, so C E G turns into Cmaj7. add every seventh and the plain Dm G C turns into Dm7 G7 Cmaj7.

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can you hear which ones clash?

the minor 2nd, major 7th, major 2nd, minor 7th and tritone clash. the 3rds, 6ths, 4th and 5th blend, and the octave is the sweetest of all.

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the half-diminished polyrhythm

four rhythms at 5:6:7:9, sped up 256 times, fuse into four pitches, B, D, F and A. that is a half-diminished seventh chord.

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every ball is a note

each ball has its own note in C major pentatonic, and every collision plays the balls that swing out. a ball joins every few swings, until 14 swing in and 14 swing out: two 14-note chords.

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every ball, its own note

the balls start as C, E and G, and each new ball is the next pentatonic note up. in the hexagon all seven sound at once as one chord, C6/9.

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every grain has to pass

every grain that slips through the neck plays the next note of D major pentatonic. once the last of 38 grains is through, a D6/9 chord rings under the final note.

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